elmer borlongan quiapo

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August 1st, 2020

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When asked about his visual approach, Borlongan describes his style as figurative expressionism.Borlongan's early work is known for its usage of figures in urban settings, in stark contrast to the idyllic rural settings of the earlier generation of Filipino artists, such as Fernando Amorsolo. He rose to prominence as a recipient of the Cultural Center of the Philippines' Thirteen Artist Awards in 1994, and his works have since become one of the most widely exhibited and most sought-after at auctions among Southeast Asian artists. Borlongan was born at 7:25 AM on January 7, 1967 at De Ocampo Memorial Medical Center in He began his formal art education in 1978, at the young age of eleven, taking up Sena also contributed to Borlongan's artistic development by convincing him to enroll in a fine arts course instead of taking up architecture as he had originally planned.Borlongan's exposure to the poor areas in Tondo in Manila and in Montalban and Antipolo in Rizal province where he apprenticed under Sena during workshops would help provide Borlongan with much of the imagery that would become the subjects of his later works.Borlongan came of age in a period of significant social tumult in the Philippines - contributing to the social awareness inherent in Borlongan's work.Here Borlongan became a founding member of the famed Grupong Salingpusa, initially an informal group of young student artists which would later become significant voices in the Philippine contemporary art movement, including such figures as A subset of Grupong Salingpusa, consisting of Borlongan, Mallari, Flores, In his second year in college, Borlongan was selected as a delegate to the ASEAN Youth Painting Workshop and Exhibition, which was held at the National Art Gallery in Kuala Lumpur, Malaysia.Borlongan got his bachelor's degree in Fine Arts, major in Painting, in 1987.By the time of Borlongan's graduation, the Philippines' socioeconomic and political climate was still tumultuous.Borlongan immediately found himself using his art to engage the Filipino's social awareness. Borlongan exhibited widely in the late 1990s and around the early 2000s, with shows in Tokyo, New York, Sydney, Singapore, Irvine, Brisbane, Honolulu, and Kuala Lumpur, among others. In the same year, Borlongan married Plet Bolipata, and the couple settled in the Borlongan family property in Mandaluyong City. Borlongan recalls:Borlongan's career got a jumpstart when his painting "In 1989, he went to Paris as a member of the Philippine delegation to the International Conference on Human Rights and Democracy, along with the members of 1993 saw a return to the University of the Philippines Diliman campus for Borlongan. In 2002, the Borlongan couple decided to move from their residence in Nueve de Pebrero, Mandaluyong, and settled in San Antonio, Zambales.For Borlongan, the move also meant an expansion in terms of figurative subjects - where once his work featured people in mostly urban settings, his works from this later period began to feature people from the countryside as well. This contrast between "City" and "Country" has since become a touchpoint whenever Borlongan works are exhibited together, such as in 2011's "Kariyanan" at the Pinto Art Gallery in Antipolo, Rizal, and at 2014's "Elmer Borlongan In City and Country (1992-2012)" at the Ayala Museum.Illustrator and designer Lisa Ito, writing in 2011 about this transition, notes:While a student at the UPD, Borlongan was the guitarist for a rock band called Is It Safe?, playing punk-influenced sets in a bar in Malate. Elmer Misa Borlongan is a prominent contemporary Filipino painter best known for his distinctive use of figurative expressionism. Family, early art education, and roots of social consciousnessUndergraduate period at the University of the Philippines DilimanFamily, early art education, and roots of social consciousnessUndergraduate period at the University of the Philippines Diliman He is married to fellow artist Plet Bolipata. Borlongan received a lot of exposure during the 1998 Philippine Centennial celebrations, notably being part of "At Home and Abroad: 20 Contemporary Filipino Artists", a centennial celebration exhibit that opened first at the Asian Art Museum in San Francisco and then moved to the Houston Art Museum and the East-West Center Museum in Honolulu before finally closing at the Metropolitan Museum in Manila. He and Roberto Feleo were artist delegates to the 2nd ASEAN Workshop, Exhibit, and Symposium on Aesthetics in Manila, and as part of the workshop the two were given working studios in UPD.In 1994, the Cultural Center of the Philippines recognized Borlongan with the Thirteen Artists Award,The following year, 1995, Borlongan agreed to serve as Artist-in-Residence at In 1996, he took up a posting as Artist-in-Residence in ARCUS Ibaraki, Japan.

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