See how many similarities you can spot between Hulu’s new series about Catherine the Great and The Favourite, the 2018 Yorgos Lanthimos film following a … top 10 quality of the year filmR is Recommend- outside It’s too raunchy for teen fans (the “Dickinson” crowd) and yet too low-brow for those who consume “Downton Abbey.” And if you enjoyed “The Favourite” this feels like a watered-down distillation of what made that movie work so perfectly.Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox Lanthimos.

In that way, the reality of the Russian court during this time feels like like “The Favourite” and more like “Dickinson.” The series is short on anachronisms and random character cameos like the latter series. Orlo’s character though touches on what makes “The Great” so hard to properly love: it often feels woefully immature. The pair disagree on everything, from the need for war with Sweden to more impetuous things like Catherine just being a bit of a downer in Peter’s eyes.Unlike “Marie Antionette,” where the emphasis is on their youth and inexperience, there’s little sense of time or history. I think Lanthimos represents in his own way of course this brand of auteurs, and I think you could also name the work of Lars Von Trier, Haneke, Parasite, most recently etc. There’s a lightness to the world that doesn’t feel as onerous and bleak as “The Favourite” was.It could be that this light comes from Fanning herself, the literal embodiment of the fairy princess — if this fairy princess dropped F-bombs and had a lot of sex. Between Fanning, Fox, and Hoult there’s enough humor to derive from their performances to make things sail. Fanning may sound like her “Sleeping Beauty” character but her Catherine is one stymied by the Russian kingdom, where women are praised for being dumb and the menfolk spend their days flinging fruit at each other and being petty. Lanthimos began working closely with screenwriter Tony McNamara on "freshening up" the script, after reading McNamara's pilot script for The Great.

But it’s often hard to take him seriously or not find him grating when nearly ever sentence is punctuated with an F-bomb or him derogatorily referring to his penis. There is so much to talk about with regards to his films, but I think I’ll give it a go at another study before that. It almost feels like an R-rated parody swathed in some of the most breathtaking set and costume design you’re likely to see.In the end, “The Great” doesn’t exactly live up to the title.

He’s incredibly dense and hedonistic till a certain event causes him to possibly consider changing his ways. Personally I have great respect for films that belong to “the weird wave” of contemporary cinema (it appears to be something of a movement in Europe, particularly). Greek auteur Yorgos Lanthimos has a strong case for being cinema’s single greatest voice since 2009 when he arrived on the scene like a blast of fresh air with the utterly bizarre and remarkably accomplished Dogtooth. Catherine’s core narrative is her desire to depose Peter via a coup and rule Russia in the way her and her friends/followers wish it to be run.Fanning aside, her bubbly personality is complemented by her maid Marial (Phoebe Fox) and Peter’s put-upon advisor Orlo (Sacha Dhawan). Greek auteur Yorgos Lanthimos has a strong case for being cinema’s single greatest voice since 2009 when he arrived on the scene like a blast of fresh air with the utterly bizarre and remarkably accomplished *MP is Masterpiece- top 1-3 quality of the year filmHR is Highly Recommend-

Instead, the comparison is felt in the tone. Copyright © 2020 Penske Business Media, LLC. By 2013, the producers were receiving financing offers from several companies, including Film4 Productions and … Long considered the refuge of staid and boring storytelling — those who saw the world through a prim and proper British lens — “The Favourite” showcased an anarchic world of acid-dipped barbs and sex comedy shocking in its frankness; the frankness probably having a lot to do with the fact women were engaging in it.With a pastel-tinged aesthetic drawing heavy comparisons to Sofia Coppola’s “Marie Antionette,” we meet the young Catherine (Where she describes losing her virginity in a beautifully florid speech, the camera closing in on Fanning’s perpetually glowing face and rosy cheekbones to highlight her beauty, Peter sees it as something he can multitask through while discussing ducks with his valet. At best it goes towards the character’s immaturity, at worst, it’s lazy writing that seems like a child just discovered his new favorite words.And it hurts to feel critical when the cast is so entertaining.

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