In the 1970s and 80s, influenced by Abad’s style changed continuously as she experimented with painting on a wide variety of materials, including prints, pulp paper, bark cloth, ceramics, metal and glass.
Pacita Abad Philippine - American, 1946–2004 In her more than thirty-year career, the itinerant painter Pacita Abad was known for her colorful paintings, mixed media collages and assemblages. This is one of a group of three quilted canvas works in Tate’s collection by the Filipino artist Pacita Abad (see also Inspired by her travels and interest in responding to cultural traditions in Indonesia, Bangladesh, Sudan, Philippines and elsewhere, Abad’s aim in her work was to connect with the world through a vibrant formal language that integrated her interest in traditional art forms such as batik painting in Indonesia, ink-brush painting in Korea, tie-dye in Africa and macramé in Papua New Guinea, all within a language of abstraction and figuration.
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Pacita's most extensive body of work, however, is her vibrant, colorful abstract work - many very large scale canvases, but also a number of small collages - on a range of materials from canvas and paper to bark cloth, metal, ceramics and glass. Abad's journeys and experiences living in Asia, Africa and the Caribbean had a major impact on her artwork, and her subject matter was largely drawn from her personal experiences. After briefly studying painting in Washington, DC and New York, she traveled the world to more than 80 countries. In her more than thirty-year career, the itinerant painter Pacita Abad was known for her colorful paintings, mixed media collages and assemblages. During the last two decades of her career, she explored abstraction in her three-dimensional “trapunto” paintings.
After briefly studying painting in Washington, DC and New York, she traveled the world to more than 80 countries. These sculptural painted works include hand-stitched fabric and embellishments, incorporating traditional designs, fabrics, shells, buttons and mirrors. She sought to rejuvenate different artistic traditions and indigenous forms in order to respond to the social and political realities of communities she encountered, in particular refugees, immigrants and others at the margins of society. They are part of a series that Abad began in the late 1970s.
The vibrant work pictured here is by the Filipina-American painter Pacita Abad, who developed a process in the 1970s called ‘trapunto painting’ … Of the artist’s motivations, the curators Joselina Cruz and Pio Abad have written:Two of the embroidered tapestries in Tate’s collection are from a series entitled This is one of a group of three quilted canvas works in Tate’s collection by the Filipino artist Pacita Abad (see also Bacongo III 1986, Tate T15298, and Bacongo IV 1986, Tate T15299). 11 plant delivery services and garden subscriptions compared: Bloomscape, The Sill, My Garden Box and more. They are part of a series that Abad began in the late 1970s. Pacita Abad: Google doodle on a Filipino ambassador of colours.
Her last major work, a 55-meter long pedestrian bridge in Singapore which she covered entirely with colorful circle patterns, was completed just a few months before she passed away at the age of 58. Her last major work, a 55-meter long pedestrian bridge in Singapore which she covered entirely with colorful circle patterns, was completed just a few months before she passed away at the age of 58.In her more than thirty-year career, the itinerant painter Pacita Abad was known for her colorful paintings, mixed media collages and assemblages. Abad's journeys and experiences living in Asia, Africa and the Caribbean had a major impact on her artwork, and her subject matter was largely drawn from her personal experiences. In the 1970s and 80s, influenced by Abad’s style changed continuously as she experimented with painting on a wide variety of materials, including prints, pulp paper, bark cloth, ceramics, metal and glass.
Dismayed by Western-centric artistic styles while studying at the Corcoran School of Art in Washington D.C. in the mid-1970s, Abad became interested in social realism and also encountered works by the Mexican muralists Diego Rivera (1886–1957), David Siqueiros (1896–1974) and José Clemente Orozco (1883–1949) during a trip to Mexico in 1986.
After briefly studying painting in Washington, DC and New York, she traveled the world to more than 80 countries.
In her more than thirty-year career, the itinerant painter Pacita Abad was known for her colorful paintings, mixed media collages and assemblages.
This is one of a group of three quilted canvas works in Tate’s collection by the Filipino artist Pacita Abad (see also Bacongo III 1986, Tate T15298, and European Mask 1990, Tate T15297). After briefly studying painting in Washington, DC and New York, she traveled the world to more than 80 countries. During the last two decades of her career, she explored abstraction in her three-dimensional “trapunto” paintings. Abad created over 4,000 artworks. These sculptural painted works include hand-stitched fabric and embellishments, incorporating traditional designs, fabrics, shells, buttons and mirrors.
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